quarta-feira, 6 de maio de 2020

GIRL


by Jamaica Kincaid

Wash the white clothes on Monday and put them on the stone heap; wash the color clothes on Tuesday and put them on the clothesline to dry; don’t walk bare-head in the hot sun; cook pumpkin fritters in very hot sweet oil; soak your little cloths right after you take them off; when buying cotton to make yourself a nice blouse, be sure that it doesn’t have gum in it, because that way it won’t hold up well after a wash; soak salt fish overnight before you cook it; is it true that you sing benna in Sunday school?; always eat your food in such a way that it won’t turn someone else’s stomach; on Sundays try to walk like a lady and not like the slut you are so bent on becoming; don’t sing benna in Sunday school; you mustn’t speak to wharf-rat boys, not even to give directions; don’t eat fruits on the street—flies will follow you; but I don’t sing benna on Sundays at all and never in Sunday school; this is how to sew on a button; this is how to make a buttonhole for the button you have just sewed on; this is how to hem a dress when you see the hem coming down and so to prevent yourself from looking like the slut I know you are so bent on becoming; this is how you iron your father’s khaki shirt so that it doesn’t have a crease; this is how you iron your father’s khaki pants so that they don’t have a crease; this is how you grow okra—far from the house, because okra tree harbors red ants; when you are growing dasheen, make sure it gets plenty of water or else it makes your throat itch when you are eating it; this is how you sweep a corner; this is how you sweep a whole house; this is how you sweep a yard; this is how you smile to someone you don’t like too much; this is how you smile to someone you don’t like at all; this is how you smile to someone you like completely; this is how you set a table for tea; this is how you set a table for dinner; this is how you set a table for dinner with an important guest; this is how you set a table for lunch; this is how you set a table for breakfast; this is how to behave in the presence of men who don’t know you very well, and this way they won’t recognize immediately the slut I have warned you against becoming; be sure to wash every day, even if it is with your own spit; don’t squat down to play marbles—you are not a boy, you know; don’t pick people’s flowers—you might catch something; don’t throw stones at blackbirds, because it might not be a blackbird at all; this is how to make a bread pudding; this is how to make doukona; this is how to make pepper pot; this is how to make a good medicine for a cold; this is how to make a good medicine to throw away a child before it even becomes a child; this is how to catch a fish; this is how to throw back a fish you don’t like, and that way something bad won’t fall on you; this is how to bully a man; this is how a man bullies you; this is how to love a man, and if this doesn’t work there are other ways, and if they don’t work don’t feel too bad about giving up; this is how to spit up in the air if you feel like it, and this is how to move quick so that it doesn’t fall on you; this is how to make ends meet; always squeeze bread to make sure it’s fresh; but what if the baker won’t let me feel the bread?; you mean to say that after all you are really going to be the kind of woman who the baker won’t let near the bread? 



Published in the print edition of the June 26, 1978, issue. The New Yorker.

quinta-feira, 30 de abril de 2020

Language and Postcolonialism



Like much of Kincaid’s early fiction, “Girl” recreates the world of a young girl, focusing on the nuances and rhythms of Caribbean English. This evocation of the speech of the islands is reminiscent of other Caribbean writers such as Derek Walcott of St. Lucia and Edward Kamau Brathwaite of Barbados, whose stories have also been compared to prose poems. Kincaid’s work has found its place within the English tradition of anticolonial travel writing, a tradition stretching back to Jonathan Swift’s mercilessly satirical writings on Ireland in the eighteenth century.

SPARKNOTES



Who is Jamaica Kincaid?

Jamaica Kincaid in September 2019
Jamaica Kincaid in September 2019

Jamaica Kincaid (born May 25, 1949) is an Antiguan-American novelist, essayist, gardener, and gardening writer. She was born in St John's, Antigua (part of the twin-island nation of Antigua and Barbuda). She lives in North Bennington, Vermont (in the United States), during the summers, and is Professor of African and African American Studies in Residence at Harvard University during the academic year.
Her novels are loosely autobiographical, though Kincaid has warned against interpreting their autobiographical elements too literally

A short story by Jamaica Kincaid



The New Yorker, June 19th, 1978.
Jamaica Kincaid's short story Girl (1978) provides a glimpse of the relationship between a girl and her mother. The girl represents Kincaid in her youth. The story shows that, in this relationship, the mother tries to prescribe the behaviors that she deems appropriate for females. 

ROSENTHAL, Pamela. Panmore Institute.